Marathon Viewing This Year's Holiday Movies: The Good, The Bad and The So-Bad-It's-Good.
It is the season to relax on the sofa and consume a box of festive treats in front of a good movie, a awful feature, or one that’s awesomely awful.
Once again, a crop of new seasonal stories aims to become part of our seasonal watchlist—maybe even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a vital public service to distinguish the gems from the coal, and to embrace the festive feeling, I watched as many new Christmas films as possible in a single day.
First Up: The Jonas Brothers' Holiday Flick
Kicking off, optimistically, on a high. This film is the sole 2025 title on a famous website's list of the greatest 100 holiday films of all time.
The popular band find themselves trapped in the UK after concluding their world tour and must get home for Christmas. Their efforts are thwarted by an evil Santa, who bursts into melody to state they won’t get home until they “find their brotherly magic.”
The banter between the squabbling siblings is entertaining even for the casual viewer, while fans will certainly pick up on lots of references as they endeavor to get back using any means of transport necessary.
It’s private planes, trains and automobiles.
It’s not an all-time classic, but is excellent for fans and a good start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their relatives who will have to sit through it.
Next: A Star in Panto
Hollywood star Kiefer Sutherland has been cast as a celebrity cast a pantomime.
“A panto-what??” asks Sutherland’s “temperamental” and ageing star Brad Mack, who has seen better days and whose manager has tricked him into thinking he’s performing in high-class London stage.
His Aladdin fellow actors inform him he’s playing Buttons. “No I'm not,” he protests. It's easy to predict their retort. That is, unless you’re ignorant of traditional stage call-and-response.
There are some very funny lines, some cockle-warming side stories, and the ensemble is brilliant, too.
It’s the sort of feature that would be a bit naff at another season, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
10.19am - Christmas Karma
An actor shows up at the beginning of this film, too, calling someone a mug for the second film in a row. Could this be a budding festive ritual?
This time, he’s a musical taxi operator who encounters Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The familiar story unfolds as the stingy Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least distinct from all the others, but sadly he’s not very charismatic and Nayyar’s portrayal is wooden—a major flaw when he’s so the focal point.
Festive score: 🎄🎄
Noon: A BBC Special
There's just enough time for a major broadcaster's holiday special—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”
But after he gets an sizable holiday payout at work, his wife (portrayed by Morgana Robinson) convinces him blowing the money on a family trip to Lapland.
There’s just one issue—he discovers there was an mix-up with his bonus, which should have been £800, and he has to determine how to pay back the remainder.
Enjoyable but forgettable.
Holiday verdict: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the festive trappings are in the setting—Christmas is the scene of the film rather than its main point—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (starring Minka Kelly) is sent to a vineyard to secure an acquisition for a champagne business. En route, she runs into a fellow in a bookshop who vows to show her Christmas in Paris.
An expert recently stated this is the best new Christmas film of the past few years. That’s a bit of a stretch, but it is a Christmas romance with a touch of class and gives the obligatory cozy feelings.
The scene with a detailed conversation about Die Hard is very good too.
Festive score: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the attempts of his dad (starring James Buckley) to tell him otherwise.
The secret is somewhere, and Chris sets out to find it with the assistance of a team of well-known figures.
It’s low-key but sweet, and ideal viewing while anticipating Santa to visit.
Christmas tree rating: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the head of a dysfunctional American family who reunite for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the true heroes of the holidays—moms.”
So that’s what this is, but in execution it’s really a jumble of those inspirations, at least until Pfeiffer’s character at last takes center stage.
Christmas tree rating: 🎄🎄
6.43pm - A Scottish Christmas Secret
The day’s gone downhill, but fortunately here’s a new offering in the saturated market of formulaic, schmaltzy, badly acted—and strangely compelling—seasonal comfort food.
It’s a tale as old as time: An American woman journeys to a far-off wintery locale and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher